Curating an Online Presence

I. Performance as Ritual

• From Self to Space: Moving from "Part One" (centering the self) to "Part Two" (bringing the craft into the world).

• Music as a Presupposition: Music is a performance art that requires a specific Time and Place to exist.

• The Energy of Intent: The intentions of those who manage a space—whether artistic or extractivist—will be felt by the audience, even if only subtly.

II. Choosing the Ideal Host

• The Role of the Host: Your job is to "present the magic"; the host’s job is to "hold the space" and manage the hospitality.

• Alignment of Vision: You must feel a physical sense of ease and transparency when communicating your vision to your host.

• The Body as a Compass: Listen to your intuition. If you feel tension or find yourself "holding back" during initial conversations, there is a misalignment.

III. Identifying Red Flags

• Transactional Motives: The host wants to use your performance to impress their own patrons or clients rather than serving your message.

• Lack of Reverence: The host treats music as "fancy wallpaper" or background noise rather than the centerpiece of the gathering.

• Incompetence: Unreliability, slow communication, or a "herding cats" feeling indicates they will not be a supportive partner on show day.

IV. Host as Community Builder

• The "Impresario" Myth: A host doesn't need to be a classical music expert; they need to be a Community Ambassador.

• Dedicated Organizers: Look for people who are skilled at bringing people together (e.g., farmers' market organizers or community leaders).

• The Evolutionary Purpose: A great host understands that the primary goal of the event is to foster togetherness and collective change.